Review: Halsey returns with complex, mature new album
Halsey, âhopeless fountain kingdomâ (Astralwerks/Capitol)
To describe Halseyâs sophomore album as ambitious would be an understatement. It actually begins with her speaking the prologue of âRomeo and Juliet.â Shakespeare is kind of a tough act to follow.
So full credit to Halsey for stretching herself on âhopeless fountain kingdom,â an album that demands attention as the singer-songwriter explores new musical ground, often in noncommercial places.
Itâs a complex, sober, riskier CD brimming with heartbreak from one of popâs most exciting artists. Halsey considers it a concept album and how well it works is debatable. But thereâs no denying the skill and desire involved.
Halsey is frustrated and broken on all 13 of the tracks, many of which are surprisingly spare. âSorryâ is mostly her and a piano, gorgeously done. âLie,â featuring Quavo of Migos, and âWalls Could Talkâ are more song fragments, wisely left alone. âHopelessâ is just a whisper of a song. The spoken-word driven âGood Mourningâ clocks in at just 1:07.
She lets her rock voice out to great effect in âBad at Loveâ and she melds nicely with Fifth Harmonyâs Lauren Jauregui on the techno-flavored loversâ duet âStrangers.â â'Aloneâ marries anguished lyrics to a peppy Donna Summer-like arrangement. The Weeknd gets a songwriting credit on the ghostly âEyes Closedâ and Sia gets one for the very Sia-like âDevil in Me.â Cellos, violins and choirs pop up all over the album, adding a kind of ghostly majesty.
Halsey, born Ashley Frangipane, rose to fame with âCloser,â her monster track with The Chainsmokers, and her excellent 2015 debut album, âBadlands.â This time, sheâs turned to hit songwriter and producer Greg Kurstin. Halsey has a hand in every song and Kurstin knows not to overcomplicate.
The new album might not have huge anthems â the closest is the exquisitely sad âNow or Neverâ â but itâs just as satisfying, with Halseyâs breathy voice and confessional lyrics taking you to unexpected places. âDonât you see what youâre finding/This is heaven in hiding,â she sings.
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Mark Kennedy is at http://twitter.com/KennedyTwits